At exactly the same time the Teletubbies were conquering television, Microsoft released Windows XP, with its iconic saturated green hill. Something was happening at the beginning of the 2000s: the turn of the millennium, technological optimism fuelled by the internet, and the Frutiger Aero aesthetic that flooded our screens. Today, all of that returns as nostalgia for Generation Z, who imagine the present through those references. That's why I have no doubt that the Teletubbies opened the door for us to imagine the possibility of creating a Solarpunk landscape.

The tied body is neither free nor constrained. It exists within a field where such distinctions begin to dissolve– the moment of la petite mort(the little death), a moment of extreme vulnerability. Yet vulnerability has nothing to do weakness. It becomes a condition of pleasure, a precondition for intimacy, transformation, and connection. The tied body is vulnerable not because it lacks agency, but because it enters into a relation that exceeds the limits of individual autonomy.

On Labour Day, May 1st, artist Larry Bonćhaka reactivated the 14-metre sculpture in front of the Eurotower at Willy-Brandt-Platz through an eight-hour performance, The Cleaning Company GmbH. This somehow prompted a moment of reflection on the presence of art in public space and on a series of encounters, friendships, places, and memories I have experienced since moving to Frankfurt am Main.

Social media has recoded the way we communicate, and this transformation continues to escalate across geographical and cultural boundaries.

攬佬SKAI IS YOUR GOD, a Mandarin rapper, has emerged on the global stage in 2025. Born into this era, his success is entangled with this new media format; at the same time, he also participates in the ongoing power shift of our time.

A Small Talk on Bamboo Scaffolding in Hong Kong

The blurred narrative in the historical moment becomes a canvas to demonstrate this fluidity of division and how fragile terms like “black” or “white” can be.